Caravaggio
Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.
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Caravaggio Caravaggio oil painting


Caravaggio
1594-1596 Medium oil on canvas cjr
Painting ID::  90693 		Caravaggio
Caravaggio
1594-1596 Medium oil on canvas cjr
   
   
     
Caravaggio Amor vincit omnia. oil painting


Amor vincit omnia.
c. 1602(1602) Medium oil on canvas Dimensions Height: 156 cm (61.4 in). Width: 113 cm (44.5 in). cjr
Painting ID::  91696 		Caravaggio
Amor vincit omnia.
c. 1602(1602) Medium oil on canvas Dimensions Height: 156 cm (61.4 in). Width: 113 cm (44.5 in). cjr
   
   
     
Caravaggio Caravaggio Cardsharps Kimbell detail oil painting


Caravaggio Cardsharps Kimbell detail
1594; Oil on canvas cyf
Painting ID::  92062 		Caravaggio
Caravaggio Cardsharps Kimbell detail
1594; Oil on canvas cyf
   
   
     
Caravaggio Die Ruhe auf der Flucht nach agypten oil painting


Die Ruhe auf der Flucht nach agypten
1594-1596 Medium oil on canvas cjr
Painting ID::  92152 		Caravaggio
Die Ruhe auf der Flucht nach agypten
1594-1596 Medium oil on canvas cjr
   
   
     
Caravaggio Christus in Emmaus oil painting


Christus in Emmaus
c. 1600 Medium oil on canvas cjr
Painting ID::  92158 		Caravaggio
Christus in Emmaus
c. 1600 Medium oil on canvas cjr
   
   
     
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     Caravaggio
     Italian Baroque Era Painter, ca.1571-1610 Italian painter. After an early career as a painter of portraits, still-life and genre scenes he became the most persuasive religious painter of his time. His bold, naturalistic style, which emphasized the common humanity of the apostles and martyrs, flattered the aspirations of the Counter-Reformation Church, while his vivid chiaroscuro enhanced both three-dimensionality and drama, as well as evoking the mystery of the faith. He followed a militantly realist agenda, rejecting both Mannerism and the classicizing naturalism of his main rival, Annibale Carracci. In the first 30 years of the 17th century his naturalistic ambitions and revolutionary artistic procedures attracted a large following from all over Europe.

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